Education
| 1993-1995 | H.Dip Fine Art Print | Slade School of Fine Art U.C.L. |
| 1989-1992 | BA (Hons) Fine Art Sculpture | Norfolk Institute of Art and Design |
Solo Shows
| 2020 | Dread one day at a time | Tintype Summer Window, London |
| 2015 | Stop Bugging Me | Frame 3 | Tintype, London |
| 2014 | Join the World | Mrs Rick’s Cupboard, Primary, Nottingham |
| 2013 | Not Trees and People | Tintype, London |
| 2007 | No One Sees The Barn | Outpost, Norwich |
| 2007 | Visitors | Five Years, London |
| 2000 | What is it exactly that you do? | Arts Council Year of the Artist |
Selected Group Shows
| 2022 | In gratitude for all the times we start over | Flatland Projects, Bexhill, UK |
| 2022 | Things | Exhibition of new works, in a vacant, renovated terraced house. Norwich, UK |
| 2021 | NOT PAINTING | C Ø P P E R F I E L D, London |
| 2019 | We Are Publication: the HOLD Live Event 01 | Stanley Picker Gallery, London |
| 2017 | Buffet D’Art | Hestercombe Gallery, UK |
| 2017 | Fully Awake | House of An Art Lover, Glasgow |
| 2016 | Gettin’ the Heart Ready... | The Royal Standard, Liverpool |
| 2016 | Good Things Come | The Gallery at Plymouth College of Art |
| 2015 | Finite Project Altered When Open | David Dale Gallery, Glasgow |
| 2015 | ALIOLI | Outpost, Norwich |
| 2014 | Combines #1 | Model, Liverpool |
| 2013 | House | 62 Cranmer Rd, London House |
| 2013 | The Hope of Wrecks | University of Hertfordshire Galleries, Museum of St Albans The Hope of Wrecks |
| 2013 | Easy does it | David Dale Gallery Glasgow, Aid & Abet Cambridge, Supercollider Blackpool |
| 2013 | Unspecific Objects | Malgras Naudet Manchester, The Royal Standard Liverpool |
| 2012 | Cave | Liverpool |
| 2012 | Ideas are Faster | Five Years, London |
| 2011 | So there in Number 18 | Parlour, London |
| 2011 | Creekside Open 2011 | selected by Phyllida Barlow / Dexter Dalwood |
| 2010 | Points of Address | selected by Peter Suchin, Outpost, Norwich |
| 2010 | Album | Five Years, London |
| 2010 | Jo Addison & Alice Walton | Centrum, Berlin |
| 2010 | Whitstable Biennale | Artists multiple, UK |
| 2009 | Noisy Image | Café Oto, London |
| 2009 | Free Association | Area 53, Vienna |
| 2009 | Reconstructing the Old House | The Nunnery Gallery, London & Ruskin Gallery, Cambridge |
| 2009 | Cortez Arrives | Herbert Read Gallery, Canterbury |
| 2009 | That was a Good Day | Five Years, London |
| 2009 | Animated-Wysing Arts Contemporary | Wysing Arts Cambridge |
| 2008 | Beck's Fusions | Manchester |
| 2007 | There Is No Future For Us Now | Five Years, London |
| 2006 | Whitstable Biennale | UK |
| 2005 | Cologne Art Fair | Felix Ringel Gallerie |
| 2004 | Tempered Ground | Danielle Arnaud, London |
| 2004 | Zwielichtige Augenblicke | Felix Ringel Gallerie, Dusseldorf |
| 2003 | Tonite! | Spanganga, San Fransisco |
| 2003 | 26.09.03 | Flaca Gallery, London |
| 2003 | Friday Night, Saturday Told | Galleri Skuggi, Reykjavik |
| 2000 | Magazine | Centre of Attention, London |
| 1999 | to be continued > | The New Art Gallery, Walsall |
| 1998 | Beachlife | F.A.T, Islington Festival, London |
| 1997 | Wait and See...what's for dinner? | Towner Gallery, Eastbourne |
| 1997 | Special Offer | One Size Fits All Gallery, Arnhem |
| 1996 | Bitter Twist | U.K.S Gallery Oslo, Margaret Harvey Gallery St Albans |
| 1995 | Outpost | F.A.T, Edinburgh Festival |
| 1994 | British Festival | New Contemporaries Taipei, Taiwan |
Curatorial Projects
| 2017 | Work Work | Tintype, London; Exhibition / events programme, comprising 26 artist / lecturers, including Overtime: alternative curriculum for HE art students. |
| 2009 - 2017 | No Working Title | Annual collaboration between student artists, academics and curators, drawing on a history of instructional practice in art. |
Selected Performance Events / Publications
| 2019 | Inventory of Behaviours | Uniqlo Tate Lates, Tate Tanks |
| 2018 - 2019 | Inventory of Behaviours | Tate Exchange |
| 2017 | No Working Title | Culmination of annual co-operative working between student artists, academics and curators, drawing on a history of instructional practice in art. |
| 2017 | Inventory of Behaviours | blip blip blip Leeds |
| 2014 | Noticer | Summer School Tate |
| 2010 - 2016 | In Site of Conversation | Participation in Pedagogic Research group Tate |
Contributions to Conferences / Symposia / Talks
| 2020 | Inventory of Behaviours | Delivered Performance Paper |
| 2020 | The Artist’s Journey | NAFAE Annual Conference Sheffield Hallam University |
| 2019 | In conversation: Jo Addison & Bill Leslie | Freelands Foundation London. Discussed repetition as a strategy for fine art research in making and teaching. |
| 2018 | Felt Knowledges | Royal Geographical Society Annual International Conference. Delivered performance paper. |
| 2018 | Inventory of Behaviours | a-n Assembly Cardiff. Delivered Performance Paper Inventory of Behaviours. |
| 2017 | What is a studio & how do we use one? | blip blip blip East St Arts Leeds. Delivered Performance Event Inventory of Behaviours. |
| 2014 | Professionalism in the Curriculum | Leeds College of Art. Delivered Performance Lecture ‘Podium Piece no.1’. |
| 2012 | Towards an Avant Gardest conception of Gallery Education | Tate. Presented Workshop. |
| 2012 | Art in Context | ELIA 5th Annual Teachers’ Academy Conference Porto. Delivered paper ‘By Instruction - No Working Title’ |
| 2012 | Landing Place the local in the international | Engage Conference Cardiff. Delivered performance paper ‘The And thing’. |
Contributions to Publications
| 2019 | Regulation, Resistance, Readiness and Care: What can be learnt by performing the peripheral behaviours of artists? Addison J. Kidd N. | Addison J. Kidd N. Book chapter, in Leap into Action: Critical Performative Pedagogies in Art & Design Education. ed. Campbell L. Peter Lang USA |
| 2017 | Live Resource | Addison J. Kidd N. Book chapter in In Site of Conversation eds. Turvey L. Walton A. Daly E, Tate ISBN 978-1-84976-473-5 |
| 2016 | Learning it …. | Addison J. Walton A. Article in Playground 4 eds. Turvey L. Walton A. Tate Learning publication |
| 2014 | e | Addison J. Kidd N. Eds. Limited edition publication Alighiero Boetti retrospective. Tate |
| 2009 | Reconstructing the Old House | ed. Benet Spencer & David Ryan, Anglia Ruskin University 2009 ISBN 978-0-907262-73-2. Artwork reproduced. |
| 2009 | Snow Falls Upwards | by Kate Fowle, UCA, NUCA, DMU 2009 ISBN 9781857213942. Artwork reproduced. |
| 2003 | to be continued> Artists intervention into the public realm | ed. Deborah Smith, Kate Fowle, BT Batsford, 2003 ISBN 0-7134-8794-1. Artwork reproduced. |
Selected Press Coverage
| 2018 | a-n; Inventory of Behaviours: Finding value in the things artists do when not making | Trevor Smith |
| 2013 | Garage Land | Travis Riley |
| 2013 | this is tomorrow | Ciara Healy |
| 2012 | Time Out | Francis Lamb |
| 2012 | this is tomorrow | Contemporary Art Magazine, Ciara Healy |
| 2004 | Miser & Now | Issue 5 p.58, Doubtful Pleasures, Max Mosscrop |
| 2004 | Frankfurter Allgemeine | 12 June p. 50, This bird will die, Catrin Lorch Zeitung |
| 2004 | Frieze | Jan/Feb Issue p.102/3, Review, Julian Myers |
| 2000 | Artists Newsletter | Dec Issue, Media Attention for artists |
| 1999 | Artists Newsletter | Oct Issue, Review, Simon Webb |
| 1999 | Public Art Journal | Vol 1. no. 2 p. 38 |
| 1997 | Frieze | Nov/Dec p.87, Review Neil Brown |
| 1997 | The Art Newspaper | Oct vol.viii, no.74 |
| 1997 | Kaleidoscope | Radio 4 15 Aug, Review |
| 1997 | The Independent | 2 Aug Don't Scoff, John Windsor |
| 1997 | The Guardian | 19 Aug Making a meal of it, Laura Cumming |
| 1996 | Aftenposten | 7 May, Young Brits with a twisted view of Life, John Harbo |
| 1996 | Dagbladet | 15 May, Nye Briter, Harald Flor |
| 1996 | Arnhemse Courant | 15 May, Review, Henk Meutgert |
Record Releases
| 2006 | Ketchup & Marmalade | Ignatub compilation, Artist: Lapwing |
| 2000 | Different Noise | Mind Horizon compilation, Artist: Lapwing |
| 1999 | Pearl Necklace | Dishy compilation, Artist: Lapwing |